AWKWARDLY BLISSING OUT
Carla Dal Forno, Sam Karmel and Tarquin Manek return to F Ingers’ noumenal haunted house slightly older, lusher and with a more detached, dub-filtered gaze in Awkwardly Blissing Out, which has to be one of the most evocative album titles we’ve heard all year.
With the damaged, water-logged audness of their Hide debut still lingering like a smell you can’t get out of the curtains, F Ingers’ 2nd grimoir reprises that mildewed nostalgia with a dusky/dawning appeal, capturing the air of hours lost in a pharmaceutical haze or a slow, gradual comedown, metaphorically manifesting residual gurns flickering on twisted lips and from wayward eyelids, clammy fingertips and glowing pores.
Since their debut collaboration, each member of the trio has issued respective solo LPs - Carla with You Know What It’s Like, Karmel in the magnificent CS + Kreme, and Manek with the ace LST and Tarcar outfits - but here they beautifully subsume all individual egos to a common theme that’s testament to their group familiarity and shared status as outsider Melbournians recording both there, and stationed thousands of miles from home in Berlin.
In a sense, listening to Awkwardly Blissing Out is like eavesdropping on the trio’s telepathic comms, intercepting relayed messages about love, like the plasmic bleep lullaby of My Body Next To Yours, or losing yourself in big cities as with the mild dread of Your Confused, and dealing with reminders from home, both positive and negative as in the sun-dazed All Rolled Up and the nerve-bitten post-punk dub jolts of Awkwardly Blissing Out, which all seem to inhabit a more indistinct, smudged place in their collective imagination.
Our imposed ideas aside, though, this is a captivatingly uncertain, ambiguous album that slowly, voyeuristically sums up those glimpses of a parallel world we all escape to at times.